Project introductory page: http://www.uni-koeln.de/~ame02/ppp.htm
Homepage: http://www.uni-koeln.de/~ame02/
This version dated April 2002.
Note: In this index, following a link takes you to the
beginning
of the section that contains the term you are looking for.
ab ovo D7.6 N4.8
Abbot D4.6
Abrams D7.5 P1.15 P1.19 P4
absolute drama D2.2 D3.7 D5.5 D6.1
abstraction ladder P3.6
acceleration N5.2.3
accident D7.2
achrony N5.2.1
act D3.1 F2.1
actability D1.5.3
acting edition D3.6
action D7.1 N2.1.2 N4.1
action text F1.5
actional integration N2.4.6
actor D2.1 D2.3
actorly playscript D3.2
actorly text D3.6
Aczel N3.1.10
Adams N2.1.5
addressee D2.1 N1.4 N1.5 N3.1.1 P3.3
addresser D2.1 N1.4
aerial shot F2.5
affectionate thou D4.6
after-history N4.1
Albee D2.1 D8.8
Aldiss N3.3.11
alienation F5.3.3
alienation effect D6.1 D6.4.4
alienation technique D6.3
alliteration P4.1
Alter D1.5.3
alteration N3.3.15
alterity N3.1.10
alternate rhyme P2.3
altero-characterization D8.1 D8.3 N7.1 N7.3 N7.4
alterocharacterization D8.4 D8.5 D8.6
alteroquotation N8.2
ambient focalization Q3.16
ambient sound F3.2
American shot F2.2
Amis N5.2.1
amplitude N5.2.2
anachronic D7.4
anachronism goof F5.3.3
anachrony D7.2 N4.6 N5.2.1
anadiplosis P4.2
analepsis N5.2.1
analogy N2.4.6
analytical drama D8.10
anapest P1.4 P1.8
anaphora P4.2
anarchic farce D7.9
Anderson N3.3.4
animal poem P5.1
antagonist D7.10
anteriority N5.1.4
anti-illusionism F5.3.3
anti-illusionist elements D6.4.6
anticipation N5.2.1
anticlimax P4.4
antithesis P4.4
antonomasia P4.4
apostrophe P3.3 P4.5
appellative N3.1.4 N3.3.4
appellative function N3.1.2
Applebee N2.2.3
apron stage D4.2
Arcadia P3.1
archaism P4.2
Archer D7.6
aria D3.4
Ariosto D4.5.1
Aristotle D6.2 D7.5 D7.8 N2.1.4
AS F2.2
aside D3.4
aside ad spectatores D3.4 D6.4.5
asides ad spectatores D6.1
assonance P4.1
Aston D3.5
asyndeton P4.3
attributive discourse D3.5 N8.2 N8.3 N8.5 N8.6 N8.7
audience involvement D4.4
audience of real readers N1.6
auditorium D5.4
Auilner F1.4
Austen N1.27 N1.29 N3.1.3 N5.1.3 N8.3
Austin D2.1 N2.3.1
author D2.1 N1.6 N2.3.1 N3.1.7 P3.3 P3.4
author's sex N3.1.3
authorial audience N2.3.3
authorial exposition N3.3.12
authorial narration N1.20 N3.3.5
authorial narrative N1.20 N3.3.1
authorial narrative situation N1.15
authorial narrator N1.15 N1.25 N3.1.3 N3.3.6 N6.6 N9.4
authorial story patterns N3.3.6
authorial-figural narration N3.3.12
auto-characterization D8.1 D8.3 N7.1 N7.3 N7.4 N7.5
autocharacterization D8.4 D8.5 D8.6 D8.7 D8.8 F5.1.3
autodiegetic narration N3.1.5
autonomous monologue N8.9
autonomous stage direction D3.5
awareness D8.9
Ayckbourn D2.1 D7.9
Baak N6.4
bad quartos D4.5.3
Baker N2.4.3
Bakhtin N3.1.7 N3.1.10 N6.1 N6.2
Bal N1 N2.1.2 N2.1.5 N2.2.3 N2.4.2 N2.4.5 N3 N3.1.3 N3.2.2 N3.2.3
balcony D4.3
ballad P3.1 P3.2
ballad stanza P2.7
Bally N8.6
Banfield N3.2.4 N3.3.4 N8.3 N8.6 N8.7
baring the devive F2.4 F5.3.3
Barrett Browning D1.3
Barth N2.4.3 N2.4.6 N3.3.14
Barthes D2.3 F5.3 N2.1.2 N2.3.4
Basho P2.8
bays D4.3
beat P1.4 P1.7
Beaver F3.2
Beckett D3.5 D7.3 N3.3.11
beginnings D7.6
Beja N3.3.10
Belloc P4.4
Benson's law D7.9 N4.5
Berger D1.5.3
Berkoff D2.1
Best D4.1
biblical narratives N2.2.3
Bierce N3.3.15
biographies N2.2.2
black farce D7.9
Blackfriars D4.2
Blackfriars Theater D4.2
Blake P1.12 P4.2
blank verse D4.8 P2.5
bleed-over F3.2
block characterization N1.27 N5.3.2 N7.4 N7.9
block exposition F5.2.2 N1.11
block stage direction D3.2
blueprint reader F1.4
Boccaccio D4.5.1
Bolt D3.4 D6.3 D6.4.4
Bond P2.8
Bonheim D8 N3.1.2 N3.3.11 N4.8 N5.3.1 N5.3.2 N7 N8.3 N8.5 P1.4 P1.5
Booth N3.3.11 N8.8
boy actors D4.5.6
Bradbury N3.3.12 N4.8 N5.2.5 N5.3.2 N7.8 N8.5
Braine N3.3.2
Brandmeyer P6
Branigan F1.1 N2.2.3 N2.4.3 N3.2.3 N4.2 N4.3
Brecht D2.2 D6.1 D6.3 D7.7
Bremond D7.2 N2.1.3 N4.4 N4.6 N4.8
bridging shot F2.4
British Film Institute F6
Brockbank D4.8
Broich P2.9
Bronfen N6.2
Brontë N2.4.3
Bronzwaer N3.3.10
Brooks D1.5.1 N2.1.5 N2.2.3
Browning D1.3
Bruner N4.3
Büchner D7.7
Bullough D4.5.1
Burgess F1.2 Q3.13
Burk D1.5.3
Burns P3.11 P4.4
Burrow P6
Byron D1.3 P1.12
cadence P1.12 P1.13
Caesar N3.1.6
caesura P1.12 P1.13
camera-eye narration N3.3.11
Campbell D1.5.3
captatio benevolentiae D6.4.1
Carlson D3.5 D3.7
Carroll N3.3.15 P1.9 P2.3
cast D3.5
catachresis P4.4
catastrophe D7.5
categorization D8.6 N7.4
catharsis D7.8
causal coherence N4.6
cell F2.1
censorship D4.5.6
center N3.2
center of attention F4.3.3
center stage D5.4
central consciousness N1.17
central opening D4.3
certain anticipation N5.2.1
character D2.3 N2.1.2 N2.3.4
character's discourse N8.1
character's NOW N5.1.1
character-focalizer N3.2.2
characterization D3.5 D8 N7
characters D3.5
characters' discourses N8.1
Chatman D1.5.4 D2.1 D3.2 D8 F1.1 F3.2 F4.1.2 F4.3.9 I2 N1 N2.1.2 N2.1.5 N2.2.3 N2.4.3 N3 N3.1.2 N3.2.2 N3.2.3 N3.3.11 N4.2 N5.1.3 N5.2.3 N5.3.2 N6.2 N7 N8.8 N8.9 N8.11 P1.16 P3.2
Chaucer D4.5.1 D6.4.1 N2.4.3
chiasmus P4.3
children's narratives N2.2.3
Chinese boxes Q3.11
Chinese-boxes model N2.4.3 N2.4.4
chorus character N7.8
chorus characters D2.2
Christie N3.3.15
Christmas pantomime D7.9
chronological order N5.2.1
chronology goof F5.3.3
chronotopes N6.1
Churchill D1.5.3 D7.2 D7.9
Ci N5.2.1
cinematographer F1.3 F4.1.3
climax D7.5 N4.4 P4.4
clips F4.3.1
close shot F2.2
close-up F2.2
closed form D7.7
closet drama D1.3
closure D7.6 N4.8
cogitat N8.3
cogitat tag N8.3
cognitive frames N3.3.15
cognitive narratology N2.1.5
coherence P3.5 P3.6 P3.10 P3.12
Cohn N2.1.5 N2.2.2 N2.2.3 N3 N3.3.11 N3.3.15 N5.1.2 N7.6 N8.1 N8.2 N8.5 N8.6 N8.8 N8.9 N8.11
Cole P1.19
Coleridge P1.1 P4.2 P4.4
collective focalization N3.2.4
collective internal focalizers N3.3.11
collective reflectors N3.2.4
Collier N3.2.4 N7.9 N8.3 N8.6
color values F2.6
comedies D4.5.2
comedy D7.9
comic relief D7.11
comment N1.15 N3.3.5 N5.2.3 N5.3.2
commentary N5.3.2
commentary by others D8.3
commentative function F3.2
communication, fictional D2.1
comparison theory P3.10
completive anachronies N5.2.1
completive flashforward N5.2.1
complication D7.5 N4.4
composer F4.1.3
conative N3.1.4
conative solicitude N3.1.2 N3.1.4 N3.3.10
conceptual blending Q3.12
concurrent narration N5.1.4
Condell D4.5.2
condescending thou D4.6
confidant N7.8
configuration D3.1
conflict N4.4
congruent presentation N5.2.3
Conrad N3.3.10
consonance P4.1
consonant N8.2 N8.6
contemptuous thou D4.6
continuity goof F5.3.3
contract N3.3.15
contraction D4.6 P1.11
control text D4.5.4
Cooperative Principle F4.1.2
Cordesse N3.2.3
Cornish D7.9
Cortazzi N2.2.3
costumes D3.5
couplet P2.4
court masque D5.2
courtroom narratives N2.2.3
courtship plot D7.10
covert narration N3.3.11
covert narrator N1.9 N3.1.1 N3.1.4 N3.3.9
covertness N1.9 Q3.16
Cozzens N1.8 N1.22 N1.31
crane shot F2.3
CS F2.2
CU F2.2
Culler F5.3 N3.1.3 P3.6
Culpeper N8.7
cultural narratology N2.1.5
Cummings P4.4
Currie N2.1.5
curtain D4.3 D4.4 D5.1 D5.3 D6.1 D6.4.6
curtain calls D5.4
cut F2.4 N5.2.3
dactyl P1.4 P1.8
Dana F2.1 F6
dangling matrix narrative N2.4.1
Day D4.5.3
dead metaphor P4.4
deceleration N5.2.3
deconstruction Q3.14
dedications D3.3
deictic center N6.3 N6.4
deictic expressions N6.3 N6.4
deictic orientation N6.4
deixis N8.5
Delafield N8.7
Deleyto F1.1 F4.3.1 N3.2.3
denomination N7.9
dénouement D7.6 N4.4
description D3.5 N5.2.3 N5.3.2
descriptive stage direction D3.5
descriptive statements N7.4
detail F2.2
Deutsch P2.8
device goof F5.3.3
dialect D8.7 N3.1.8 N7.5
dialogic text N3.1.9
dialogical aside D3.4
dialogism N3.1.9
dialogue D3.4 D8.4
diaries N5.1.4
diary N3.3.11
Dickens N3.1.3 N3.1.10 N3.3.3 N3.3.9 N5.1.2 N5.2.1 N6.6 N7.7 N8.6
Dickinson P4.4
didascalia D3.5
didascaly D3.5
diegesis F3.2 N2.1.4 N5.3.1
diegetic sentences N3.3.11
diegetic sound F3.2 F5.1.2
diegetic statements N8.1
diegetic summary N8.7
differential definition D1.1
dimeter P1.10
direct cut F2.4
direct discourse N8.5
direct speech N8.5
direct thought N8.5 N8.9
directness N1.17
director D1.4 D1.5.3 D2.1 F1.3
discoursal stance N3.1.2 N3.1.4
discourse N2.1.2 N2.1.3
discourse narratology N2.1.3 Q3.2
discourse space N6.3
discourse time D7.3 N4.7 N5.1.1 N5.2.2 N5.2.3 N6.3
discourse-HERE F4.2.3 N6.3
discourse-NOW F4.2.3 N5.1.1 N5.1.3 N5.1.4 N6.3
discovery space D4.3
dissolve F2.4
dissonant N8.2 N8.6
distraction N2.4.6
doctor's narratives N2.2.3
documentary play D7.7
Dolezel N3.3.4 N8.1
dolly shot F2.3
domestic tragedy D7.8
dominant contrast F4.3.4
Donleavy N3.3.14
Donne P1.8 P1.17 P4.3
donor field P3.10
Dorfman N4.1
Dos Passos N5.1.2
downstage D3.6 D5.4
drama F1.1 F1.2
drama of the absurd D7.7
dramatic illusion D5.3 D6.1
dramatic irony D8.10
dramatic monologue N3.3.4 P3.1
dramatic monologues P3.3
dramatic narratives D1.2
dramatic narrator D8.5
dramatic poem D1.3
dramatic poetry D1.5.1
dramatis personae D3.3 D3.5
dramatist D1.5.2 D2.1
Drayton P1.3
DS F2.2
dual voice' theory N8.6
Duchan N2.1.5
Duffy N3.1.3
Dujardin N8.9
duologue D3.4
duration N5.2 N5.2.2
Duyfhuizen N2.4.2
dynamic character N7.7
dynamic shots F2.3
Early Modern English D4.6
editor F1.3 F4.1.3
Edmiston N3.1.6 N3.2.3 N3.3.15
Elam D1.5.3
elegies P3.2
elegy P3.1
Eliot N1.14 N1.15 P1.19
elision P1.11 P1.13
Elizabeth I D4.1
ellipsis N5.2.3 P4.3
Elton John P3.12
emancipated actor D6.4.4
embedded narrative D2.1 N2.4.2 N2.4.3 N2.4.6
embracing rhyme P2.3
emendation D4.5.4
Emmott N7.9
emotive function N3.1.2
empathy N4.3
emplotment N2.1.3
enallage P4.2
end rhyme P2.2
ending, ambiguous D7.6
ending, open D7.6
endogenic feet P1.13
English sonnet P2.7
enjambement P1.12 P1.13
epanalepsis P4.2
epic drama D2.1 D2.2 D3.4 D3.7 D5.5 D6 D8.5
epic elements D6.3
epic narrative D1.5.4 N2.1.4
epic narratives D1.2
epic plays D7.4
epic theater D2.2 D6 D6.1 D7.7
epigram P3.1
epilogue D3.3 D5.4 N4.8
epilogue speaker D6.1
epiphanic endings N3.3.10
epiphany N3.3.10 N9.3 P2.9
epiphora P4.2
episode N4.4 N4.5
epistolary novels N3.2.4
Epstein F1.5 F2.1 F6
error-message haikus P2.9
establishing shot F2.2
euphemism P4.4
Evans D4.5.1 D4.5.4
events N2.1.2
existents D3.2 N6.2
exogenic feet P1.13
exotic metrical effects P1.18
expansion D4.6 P1.11 P1.13
experiencing I F5.2.1 N1.11 N1.12 N1.28 N1.30 N3.1.6 N3.3.1 N3.3.2 N9.2
experientiality D1.5.4
explicit characterization D8.4 D8.6 D8.8 N7.4
exposition D3.4 D6.4.1 D7.6 N1.8 N1.28 N2.4.6 N3.1.1 N3.1.4 N3.3.9 N3.3.10 N3.3.12 N4.4
expressive form P5.3
expressive function N3.1.2 N3.1.4
expressivity markers N1.4
external addressee P3.3
external anachrony N5.2.1
external events D7.1
external flashback N5.2.1
external flashforward N5.2.1
external focalization N3.2.1
external focalizer N3.2.2 N3.2.4
external view F4.3.9
extradiegetic N2.4.2
extradiegetic narrator N2.4.5
extratextual N2.3.1
extratextual level N1.7
extratextual voice N3.1.7
extreme close-up F2.2
extreme long shot F2.2
eye rhyme P2.1
eye-line shot F4.3.8
fable N2.1.2
factual goof F5.3.3
fade in F2.4
fade out (to color) F2.4
fairy tale N4.4
fairy tales D7.2
fall-of-princes tragedy D7.8
falling action D7.5
familiarizing article N3.3.10
family narratives N2.2.3
farce D7.9
Fauconnier P3.10 P3.11
Faulkner N3.3.3 N3.3.11 N7.5 N8.8
FCD F4.1.2 F4.1.3 F4.1.4 F4.3.6
Fearing P3.5 P3.7
Fehr N8.11
feminine cadence P1.12
feminine rhyme P2.2
feminist narratology N2.1.5
Fichte D1.5
fiction N1.1
fiction and eavesdropping N1.6
fictional N1.6
fictional autobiography N2.2.3 N3.3.4 N9.1
fictional narrative N2.2.2
fictional space N6
FID N1.23
FID test N1.23 N1.24
Fielding Q3.10
figura etymologica P4.2
figural characterization D8.3 D8.4 D8.5 N7.3
figural medium N3.3.7 N3.3.12
figural narration N1.20 N1.26 N3.3.7 N3.3.11
figural narrative N1.18 N1.20 N1.30 N3.3.1 N3.3.9
figural narrator N3.3.7
figural story patterns N3.3.9
figure D2.3 N2.3.4
Fillmore N3.3.15
film F1.2
film script F1.2 F1.4 F1.5
film stock F2.6
film studies F1.1
Film websites F6
filmic composition device F4.1.2
filmic narratives N2.2.3
filter F3.2
filter character N3.2.2
filters F2.6
first-degree narrative N2.4.2 N2.4.3 N2.4.4
first-degree narrator N2.4.2
first-person N3.3.2
first-person narration N1.20 N3.3.2
first-person narrative N3.3.1
first-person narrative situation N1.13
first-person narrator N1.28 N3.3.4 N7.6
first-person narrators N9.1
first-person pronoun trap N1.14
Fish D1.5
Fitzgerald N6.5
fixed focalization N3.2.4
flashback D7.2 D7.3 N4.6 N5.2.1
flashforward D7.2 N4.6 N5.2.1
flat character N7.7
Flaubert N3.3.3 Q3.11
Flint N2.2.3
Fludernik N2.1.5 N3 N3.1.3 N3.2.3 N3.3.4 N3.3.11 N4.3 N7.9 N8.3 N8.5 N8.6 N8.10
fluff goof F5.3.3
flying in D4.3
flying out D4.3
focal character N3.2.2
focal characters N3.2.2
Focalization F4.3.1 F4.3.2 N3 N3.2 N3.3.2 N6.4 N7.9
focalized object F4.3.3
focalizer F4.3.3 N3.2.2
focalizers N3
focus F4.3.3
foil character N7.8
Folio D4.5.2 D4.5.3 D4.5.5
foot P1.7
forestage D5.4
form of address N7.9
Forman F1.2
Forster D7.2 N4.2 N4.6 N7.7
Foucault N2.1.3
four-phase cycle N4.4
fourth wall D3.4 D5.5
Fowler N3.1.2 N3.1.10 N3.3.11 N8.12
Fowles N3.2.4 N4.8 N5.2.1 N7.4
frame F2.1 N8.2 N8.5
frames F1.4
Frank N6.1
Frayn D6.2
free direct discourse N8.5
free indirect discourse F5.2.2 N1.23 N8.3 N8.6 N8.11
free indirect speech N8.6
free indirect thought N8.6
free verse P1.19
Freese N3.3.4
French scene D3.1
frequency N5.2 N5.2.4
Freytag D7.5
Freytag's pyramid D7.5 D7.6
Freytag's triangle N4.4
Friedman N3.3.3 N3.3.5 N3.3.11
FS F2.2
Füger N3.2.3
full shot F2.2
future-tense narrative N5.1.4
gaze F4.3.10
gaze shot F4.3.8
geminatio P4.2
genderlect N3.1.8
generic present N5.1.3
Genette D1.1 D3.3 D7.3 N1 N1.10 N1.13 N2.1.2 N2.1.4 N2.1.5 N2.4.2 N2.4.3 N2.4.6 N3 N3.1.1 N3.1.6 N3.1.10 N3.2.2 N3.2.3 N3.3.6 N3.3.11 N3.3.15 N4.2 N5.2 N5.2.1 N5.2.2 N5.2.3 N5.2.4 N5.3.1 N7.6 N7.9 N8.1 N8.2 N8.9
genre F1.2
genre taxonomy I2
Gewirtz N2.1.5 N2.2.3
Giannetti F1.4 F2.6 F4.3.4 F4.3.10
Gibson Q3.14
Gide N2.4.7
Gilman N3.3.11
glimpse N3.3.10
Globe D3.4 D5.3
Globe 3 D4.2
Globe Theater D4.2 D4.3 D5.1 D5.5
gnomic present N5.1.3
gnomic statement N5.1.3
Goethe Q3.8
Goffman D1.5.4
good quarto D4.5.4
good quartos D4.5.3
Goodman D1.5.3
goofs F5.3
Gower D2.2 D2.3 D6.4.1
graininess F2.6
grand image-maker F4.1.2
Grass N6.3
Graves P5
Greimas P3.6 P3.10
Grice F4.1.1 N3.3.15
Groundlings D4.3
grouping P1.2
Gurr D4.2
Gutenberg N2.1.5 N4.6
H.D P4.2
haiku P2.8 P2.9
half rhyme P2.1
hamartia D7.8
Handke D6.3
happy ending D7.9
Harris P4
Harrison D4.3 D4.5.5
Hawkins D1.5.2
Hayakawa N4.3
Hayden White N2.1.3
hearer P3.3
heavy-suitcase goof F5.3.2
hell D4.3
Heminge D4.5.2
Hemingway F4.3.9 N1.16 N1.18 N3.3.10 N3.3.11 N4.8 N8.12 Q3.10
hendiad P4.4
heptameter P1.10
Herman N2.1.5 N3.2.3
Herman, D N2.1.5
Herman, L N2.1.5
heroic couplet D4.8 P2.4
Herrig P3.1
heterodiegetic narration N1.14 N3.3.11
heterodiegetic narrative N1.10 N1.21 N1.28
heterodiegetic narrator D2.2 D8.5 N1.15
heterodiegetic you-narrative N3.3.11
heteroglossia N3.1.10
hexamater P1.10
hiding a voice N1.17
high angle F2.5
historical present N5.1.3
histories D4.5.2
historiographic autobiography N2.2.3
historiographic narratology N2.1.5
historiographic texts N2.2.2
Hitchcock F1.4 F4.1.3
Hodges D4.3 D4.4
Hoffmann N6.2
Holinshed D4.5.1
Holland D1.5 D1.5.3
Holman D8.10 N7.8 P4
Homer Q3.11
homodiegetic narrative N1.10 N1.13 N1.20 N3.3.11
homodiegetic narrator D2.2 D8.5
homodiegetic you-narrative N3.3.11
homonymy P4.4
Hood P4.1
Hopkins P1.19
Horace D7.5
Hornby D1.5.2 D6.2
how long N5.2.2
how often N5.2.4
How to write a novel N1.20
hubris D7.8
Hughes N3.3.15 N8.6
human limitations N3.3.2
Humphrey N8.8 N8.9
Hunter N2.2.3
hut D4.3
Huxley N1.21 N3.3.10
hyperbola P4.4
hypermetrical line P1.12
hypermetrical lines P1.13
hypertext narratives N2.2.3
hypo-hyponarrative N2.4.5
hypodiegetic narrator N2.4.5
hyponarrative N2.4.1 N2.4.4 N2.4.5 N2.4.7
hypothetical audience N1.5
hypothetical observer F4.3.6
hysteron proteron P4.3
I P3.3
I as co-protagonist N3.3.3
I as minor character N3.3.3
I as protagonist N3.3.3
I as uninvolved eyewitness N3.3.3
I as witness N3.3.3
I as witness-protagonist N3.3.3
I-as-protagonist N3.3.2
I-as-witness N3.3.2
I-I structure F5.2.1
iamb P1.4 P1.8
iambic pentameter P1.10
identification D8.6 N4.3 N7.4
identification by self-recognition N4.3
identification for wish-fulfillment N4.3
idiolect N3.1.8
IF test N1.24 N1.25
image-maker F4.1.2
imagery P3.10 P3.12
imaginary audition D1.5.3
imaginary perception F4.3.1
imagists P2.8
immediacy N1.17
imperceptibles Q3.15
implicatures F4.1.1
implicit characterization D8.7 N7.5
implied author D8.3 N2.3.2 Q3.7 Q3.14 Q3.16
implied reader N2.3.2
implied stage direction D3.4 D4.5.5
impressionism N3.3.9 N8.8
in medias res D7.6 N4.8
in praesentia D8.4 N7.3
in ultimas res D7.6 N4.8
in-absentia D8.4
in-praesentia D8.4
Incipit N3.3.10 N4.8 N5.2.5 N7.9
incipits N1.1
incoherence P3.12
indigenous sound F3.2
indirect content-paraphrase N8.7
indirect discourse N8.3 N8.7 N8.11
indirect speech N8.7
indirect thought N8.7
individualization D8.6 N7.4
infraction N3.3.15
Ingarden D3.3
Inigo Jones D5.2
initiation N3.3.4 N6.5
inquit N8.3
inset N8.2 N8.5
inside views N8.8
integrated exposition D7.6
intercalated narration Q3.12
interior monologue N1.18 N3.3.11 N7.3 N8.9 N8.10
interlocutor D3.4
intermission D3.1
internal anachronies N5.2.1
internal focalization N1.18 N1.24 N3.2.1
internal focalizer N1.18 N3.2.2 N3.3.7 N6.3 N6.6 N9.5
internal rhyme P2.2
internet haikus P2.9
Internet Movie Database F6
intertitles F4.2.1
intra-intradiegetic narrator N2.4.5
intradiegetic N2.4.2
intratextual N2.3.1
intratextual level N1.7
intratextual voices N3.1.7
introductory tag N8.3
inversion P1.11 P4.3
invisible fourth wall D5.5
irony P4.5
Isherwood N3.3.11
isochronous presentation N5.2.3
isochrony N5.2.3 N5.3.1
isolated exposition D7.6
isotopies N6.4 P3.7 P3.9
isotopy N1.30 P3.6 P3.10 P5.1
Issacharoff D1.5.3 D3.5 D3.7
Italian sonnet P2.7
italicized emphasis N1.4
iterative telling N5.2.4
Jackendoff P1.2
Jahn N2.1.5 N3.2.3 N3.3.15 P4
Jakobson N3.1.2 P3.10
James N1.18 N2.4.3 N3.1.10 N3.3.12 N7.7 N7.9 N8.8
James I D4.1
Janik Q3.7
Johnson D4.6 P3.11
Jones, Inigo D5.2
Jong Q3.11
Jonnes N2.2.3
Jonson D4.1 D5.2
Jost F1.1 F4.3.1 N3.2.3
Joyce N1.18 N3.2.4 N3.3.10 N3.3.12 N3.3.15 N5.1.3 N5.2.2 N6.5 N7.7 N8.8 N8.9
jump cut F2.4
Kafka N1.18
Kahrmann N6.2
Kaplan F4.3.10
Kearns N2.1.5 N2.3.3
Keats P4.2 P4.3 P4.4
Kermode N2.2.3 N4.8
Ketels D7.9
King's Men D4.2
Kintsch N4.4
Klotz D7.7
Knapp N2.2.3
knowledge limitations N1.13
Korte F1.5 P4
Kozloff F1.1 F3.1 F4.1.2 N2.2.3
Krieger D1.2 D7.9
Kubrick F1.2
Kyd D7.8
Labov N2.2.3 N3.1.1 N4.3
Lakoff P3.10 P3.11
Lanham P4
Lanser N2.1.5 N2.4.2 N3 N3.1.3 N3.1.10 N3.3.2 N3.3.3 N3.3.11 N7.6
Lanser's rule N3.1.3 P3.4
Lardner N3.3.4
Lathan D5.4
Lawrence N8.8 N8.11
Leech N8.5 N8.7 N8.12
legal narratives N2.2.3
legal narratology N2.1.5
Lejeune N2.2.3 N3.3.15
lenses F2.6
Lerner D1.5.2
Lessing N6.1
level of action N2.3.1
level of communication N2.3.1
level of fictional action D2.1
level of fictional mediation D2.1
level of isotopy P3.6
level of narrative mediation N2.3.1
level of nonfictional communication D2.1
Levin D1.5.2 D4.6
Levinson P3.10 P3.11
lighting D6.4.3 F2.6
limerick P1.17 P2.7
linear plots D7.2
Lintvelt N2.1.5 N2.4.3 N3 N3.3.11 N5.2.1 N8.1
literary space N6.2
litotes P4.4
Lloyd Evans D4.5.3 D4.5.6 D5.1
logic goof F5.3.3
long shot F2.2
Longfellow P1.17
Lord Chamberlain's Players D4.2
Lord's Rooms D4.3
Löschnigg N2.2.3
low angle F2.5
Lowry N3.3.9 N5.2.1
LS F2.2
Ludwig P1.13 P1.14
Lyly N8.10
lyrical I P3.3
lyrical poem P3.2 P3.3
Macaulay D7.9
male gaze F4.3.10
Mann D1.3 N3.3.14 N7.6
Mansfield N1.18 N3.3.10 N6.5 N6.6
Margolin N3.3.11 N5.1.4
Marlowe D4.1
Marvell P4.4
masculine cadence P1.12
masculine rhyme P2.2
masque D5.2
match cut F4.3.8
match-cut F4.3.9
Matisse N2.4.7
matrix narrative N2.4.1 N2.4.4
matrix narratives N2.4.3
maximum stress P1.4 P1.15
McClary N2.2.3
McHale N2.1.5 N2.4.7 N8.6 N8.7
medias in res N3.3.9 N9.5
medium shot F2.2
medium stress P1.6
Meller P3.1
memory play D6.4.5
mental narratives N2.2.3
message P3.6
meta-metadiegetic narrative N2.4.5
metadiegetic N2.4.2
metadiegetic narrative N2.4.5
metadrama D6.2 D6.4.1
Metalious N5.2.5
metanarrative comment N1.14 N5.2.4
metanarrative commentary N9.6
metanarrative comments N3.1.4
metaphor P3.11 P3.13 P4.4
metaphor theory P3.11
meter P1.3
metonymy P3.11 P4.4
metrical grid P1.14
metrical length P1.10
metrical line P1.7
Metz F4.1.2
Mezei N2.1.5
Michener N5.2.2
Miller N3.3.9
Milton D1.3 P4.4
mimesis N2.1.4 N5.3.1 N8.7
mimetic (un)reliability N7.6
mimetic narrative genres N2.1.4
mind style N8.12
mindscreen F5.1.4
minimal narratives N4.2
mirror trick N3.3.10
mise en abyme N2.4.7
mixed metaphor P4.4
mixed meter P1.8 P1.13
mixed mode narrative situations N3.3.12
mixed-mode narration N3.3.14
model of narrative communication N1.7
modernism N3.3.9
moment of being N3.3.10
moment of final suspense D7.5
moment of recognition N3.3.4
moment of vision N3.3.10
MOMI F6
monological aside D3.4
monologism N3.1.9
monologue D3.4
monologue, and operatic aria D3.4
monomedial D1.2
monometer P1.10
mood N3.2
Moore N7.9
Moritake P2.8
morphological figures P4.2
mosaic plot N4.6
mosaic plots D7.2
MS F2.2
Mulryne D4.2
multimedial D1.2
multiple focalization N3.2.4 N9.5
multiply embedded narratives N2.4.3
Mulvey F4.3.10
Munro N3.3.11
Music D6.4.2 F3.2
musical narratives N2.2.3
N1.21>N1.21, N1.31
Nabokov N5.2.5 N5.3.1 N8.11
naming N7.9
narrated perception N8.1 N8.11
narratee N2.3.1 N2.3.3 N3.1.1 N3.1.4
narratees D2.1
narrating I F5.2.1 N1.12 N1.30 N3.3.1 N3.3.2 N9.2 P3.3
narrating self N3.3.2
Narration N3
narrative N1.2 N2.1.2
narrative agency N3.1.1
narrative audience N2.3.3
narrative communication D2.1 N1.7 N2.3.1
narrative discourse N1.3 N8.1
narrative distance F4.2.3 N3.3.2
narrative form D2.1
narrative modes N5.3.1
narrative of (nonverbal) events N8.1
narrative of events N2.1.4 N8.2
narrative of verbal events N8.1
narrative of words N2.1.4 N8.2
narrative past N5.1.1
narrative pause D6.1
narrative poem P3.1 P3.2 P3.3
narrative present N5.1.1 N5.1.3
narrative report of discourse N8.1 N8.7 N8.11
narrative report of speech N8.7
narrative report of thought N8.7
narrative situation N3.3.12 N6.6 N8.6
narrative situations N1.13 N3
narrative stage direction D3.5
narrative trajectories N4.4
narrative voice N1.3 N3.1.7
narratives of personal experience N2.2.3
narratology D1.1 D1.5.3 F1.1 N2.1.1 P3.2 P3.3 Q3.14
narratology website N2.1.6
narrator D2.1 D2.2 D6.1 D6.4.1 D7.3 D8.3 D8.5 F4.1.3 N1.2 N1.3 N3.1.1 N6.3 P3.2 P3.3
narrator figure D6.4.5 N2.3.4
narrator's discourse N8.1
narrator's NOW N5.1.1
narrator's sex N3.1.3
narrator, in drama D8.5
narrator-focalizer N3.2.2
narrator-narratee contract N3.3.15
narratorial characterization D8.3 D8.5
narratorial intrusion N5.3.2
narratorless N3.3.7
narrators N3
narreme N4.1
NarrNet N2.1.6
Nash P3.11
natural narratology N2.1.5
naturalization F5.3
necessary condition P1.1
Nelles N2.1.5 N2.4.2 N3.2.3
nescience Q3.15
Neumann N8.3
neutral narration N1.31 N3.3.11
New Globe D4.2 D7.9
Nichols D6.4.2 D7.4
Nieragden N7
Nischik N8.12
no-narrator position Q3.16
noise F3.2
non-text P3.5
non-verbal action D3.5
nondiegetic sound F3.2
nonets P2.4
nonfictional narrative N2.2.2
nonverbal action D2.1
nonverbal behavior D8.7
normative (un)reliability N7.6
novel D1.5.4 F1.1 N1.1
novel and/vs play D1.5.4
novel of consciousness N8.8
novella Q3.8
Nünning N2.1.5 N3.2.3 N3.3.6 N7.6 Q3.7
nursery rhyme N4.2 P3.1 P3.2
O'Hara N3.3.13
O'Neill N2.1.5 N2.4.2 N3.2.3
objective anachrony N5.2.1
objective flashforward N5.2.1
objective flashforwards N3.3.11
objects N6.2
oblique angle F2.5
obstruction N2.4.6
octets P2.4
octosyllabic couplet P2.4
odes P3.1 P3.2
off screen F3.2
off-screen narrator F4.2.1
omission N5.2.3
omnipresence N3.3.5
omnipresent N3.3.6
omniscience N1.15 N1.20 N3.3.5
omniscient N3.3.6 N7.6
omniscient narrator D1.5.4
on-screen narrator F4.2.1
on-the-scene reporting N3.3.11 N5.1.4
Onega N2.1.5
onomatopoeia P4.1
open form D7.7
orchestra D5.4
order N5.2 N5.2.1
order of presentation D7.2
Orth N8.10
Orton D7.9
Ortony P3.10 P3.11
Orwell N3.3.13
other minds N1.13 N3.3.2
outside commentary D8.3
outside view N3.3.11
over-the-shoulder shot F4.3.8
overlapping sound F3.2
overt narrator N3.1.4
overtness N1.9 N5.3.1
Ovid D4.5.1
Owen P4.1
oxymoron P4.4 P5.2
paeon P1.4
Page D7.9 N8.3
pan F2.3
panels F1.4
panfictionality N2.2.2
panoramic N5.2.3
panoramic view N6.6
pantomime D7.9
paradox P3.8 P4.4
paralepsis N3.3.15
paralipsis N3.3.15
parallelism P4.3
parenthetical F1.5
parenthetical tag N8.3
paronomasia P4.4
pars pro toto P4.4
Pascal N8.6
passe-partout scenery D4.4
passepartout scenery D5.1
past perfect N1.28
past progressive N5.1.2
past tense N5.1.2
past-tense narrative N5.1.4
pastoral P3.1
patchwork N8.2
pause N3.3.5 N5.2.3 N5.3.2 P1.12
Pavel D7.2 N2.1.2 N2.1.3 N4.6
pentameter P1.10
percepit N8.3
perception indicators N1.18
Perec N6.3
perfect rhyme P2.1
performance D1 D1.2 D1.5.2 D2.1 D8.5 F1.2
performance time D7.3
peripety D7.5
periphrasis P4.4
peritext D3.3 D3.5 D4.5.4
Perry N2.1.5
person D2.3 N2.3.4
persona P3.3
personification P4.4 P5.4
Pfister D0 D1.2 D1.5 D1.5.3 D2.1 D2.2 D3.1 D3.4 D3.5 D4.5.5 D5.1 D6.3 D7.3 D7.5 D7.6 D7.7 D8 D8.2 D8.3 D8.4 N4.7 N7 N7.2 N7.3 N7.7 P2.9 Q3.14
phatic N3.3.4
phatic function N3.1.2
Phelan N2.1.5 N2.3.3
Phonological figures P4.1
picture vs. sound F3.1
picture-frame stage D5 D6.1
Pinter D2.1 D7.2 D7.9
Pirandello D6.1
pit D5.4
pity and fear D7.8
Plato N2.1.4
Plautus D4.5.1 D7.9
play D1.2
play and/vs novel D1.5.4
play within the play D5.2 D7.5
play-within-the-play D2.1
playscript D3.3
playwright D2.1
pleonasm P4.4
Plett N8.2 P4
plot D1.5.4 D7.2 D7.6 D7.7 D7.10 N4.2 N4.6
plot connectivity N4.6
plot line N2.1.3
Plutarch D4.5.1
Poe N5.2.2 N7.6 P1.8 P1.12 P1.18 P2.2
Poetic Drama D1.5.1 D1.5.2 D1.5.3
poetic licence P1.11 P2.1
poetry P1.1
poetry websites P6
point of attack D7.6 N4.8
point of audition F4.3.2
point of origin N6.3
point of view F4.3.2 N3.2 N7.9
point of view shot F4.3.8
political farce D7.9
politically correct pronoun P3.4
polyphony N3.1.9
polyptoton P4.2
polysyndetic list P5.3
polysyndeton P4.3
Pope P1.3 P2.4 P4.3
Posner N2.2.3
possible worlds narratology N2.1.5
post-transcript F1.4
postclassical N2.1.5
posteriority N5.1.4
postfaces D3.3
postmodernist N2.1.5
postmodernist narratives N2.4.7
Potocki N2.4.3
Pouillon N3.3.11
Pound P2.8
POV shot F4.1.4 F4.3.8 N1.18
pragmatic figures P4.5
pragmatic signals N1.4 N1.5
pragmatics N2.1.5
Pratt N2.1.5
pre-history N4.1 N5.2.1
pre-transcript F1.4
predominant meter P1.13
prefaces D3.3
Preminger P4
present tense N3.3.11 N5.1.3
present-tense narrative N5.1.4
Priestley D1.5.2 D3.7 D7.2
primary story line D7.1 N4.1 N5.2.1 N9.2
primary text D3.3 D3.4 D4.5.5 D8.5 F1.5
primum comparandum P3.10
Prince N2.1.3 N2.1.5 N4.2 N8.3
principle of co-operation N3.3.15
principle of maximization P1.13
private showings D1.3
private theaters D4.2
problem comedies D4.5.2
producer D1.4 D2.1 F1.3
projection of voice N1.3
prolepsis N5.2.1
prologue D3.3 D5.4 D6.4.1
prologue speaker D6.1
promptbook D4.5.3
properties D3.2
property plot D3.2
prophetic narrative N5.1.4
props D3.2 D3.5 D4.4
prose P1.1
prosody P1.2 P1.19
prospective narration N5.1.4
protagonist D7.10
Proust N4.2
psychoanalytic narratology N2.1.5
psychological farce D7.9
psychonarration N8.1 N8.11
pull back F2.3
pulling shot F2.3
pun P4.4
pure rhyme P2.1
push in F2.3
pyrrhic P1.8
Quarto D4.5.3 D4.5.5
quatrain P2.4
quintets P2.4
Quirk N8.5 N8.7
quotation theory N8.2 N8.5
quoted discourse N8.2
Rabinowitz N2.3.3
Raith P1.1
raked D5.4
reaction shot F4.3.8
reader D1.5.2 D1.5.3 D2.1 N2.3.1 P3.3
readerly text D3.6
Reading Drama D1.5 D1.5.3 D4.5.5
real-life poet P3.3
realist drama D6.3
realist illusion D5.5
realist plays D5.5
reality effect F5.3
realizability D1.5.3
receivers N2.3.1
recipe for baking a cake D1.2
recipient P3.3
recipient field P3.10
recitation P1.8 P1.14
recognition scene D7.6
Redmond D1.5.1
referentless pronoun N3.3.10 N7.9
reflector N1.18 N3.2.2 N3.3.7 N3.3.9 N3.3.10 N9.5
reflector-mode narration N3.3.8 N3.3.15
reflectors N3
reliability D8.4 N7.3
reliable D8.5 N7.6
reliable narrator N7.6
Renaissance public theater D1.5.1
repetitive anachrony N5.2.1
repetitive telling N5.2.4
report of what characters do not know, think, or say N8.11
resolution N4.4
retardation N2.4.6
retrospection N5.2.1
retrospective narration F4.2.3 N5.1.4
revenge tragedy D7.8
reverse angle shot F4.3.6
Reynolds N5.3.2
rhetorical comparison P3.10
rhetorical narratology N2.1.5
rhetorical question P4.5
rhyme P2.1
rhyming patterns P2.3
rhythm P1.2 P1.19
rhythmically free P1.1
rich rhyme P2.1
Richardson D1.1 N1.18 N3.3.9 N3.3.10 N8.8
Riffaterre N6.1
Rimmon-Kenan D7.2 D8 N2.1.5 N2.4.2 N2.4.5 N2.4.7 N3.2.2 N3.2.3 N3.3.6 N3.3.11 N4.1 N4.6 N5.2 N5.2.1 N5.2.2 N5.2.3 N5.2.4 N5.2.5 N5.3.1 N7 N7.5 N7.6 N7.7 N8.6
rising action D7.5 N4.4
Roman play D4.5.2
romance D4.5.2
Ronen N2.1.5 N6.2 N6.4
Rossetti P4.4
round character N7.7
rubber ducky F6
run-on line P1.12
Ryan D7.2 N2.1.3 N2.1.5 N2.2.2 N2.2.3 N2.4.3 N4.3 N4.6
Rylance D7.9
Salinger N1.3 N3.3.4 N5.2.3 N5.3.1 N6.3
Samuel French D3.6
satisfactory state N4.4
Saussure N2.1.3
Savona D3.5
Scanlan D1.5 D1.5.3 D7.2 D7.9 N4.6
scansion P1.4 P1.6 P1.8 P1.14
scene D3.1 D3.5 F2.1 F2.4 F3.2 N5.3.1
scene text F1.5
scenery D3.5
scenic N5.2.3
scenic presentation N5.3.1
Schank N2.2.3
Schneider F1.5 N7
Schnitzler D6.2 N8.9
schools D1.5
Schulz P3.5
Scolnicov D1.5 D1.5.3
screenplay F1.4
scriptwriter F4.1.3
Searle D1.2 D2.1 N2.3.1
second-degree narrative N2.4.2
second-degree narrator N2.4.4
second-person narrative N3.3.11
secondary authors D2.1
secondary text D3.3 D3.5 D3.6 D8.5 F1.5
secundum comparatum P3.10
self commentary D8.3
self-characterization D8.1 N7.1
self-communication P3.3
self-conscious authorial narrator N5.2.4
self-conscious narration N5.3.2
self-quotation N8.2
self-reflexivity D6.2 D6.4.4
selfhood N3.1.10
semantic analysis P3
semantic charging of space N6.5
semantic figures P4.4
semi-closeup F2.2
semi-long shot F2.2
Semino N8.7
sender N3.1.7 P3.3
senders N2.3.1
Seneca D4.5.1
septets P2.4
service function of a text type P3.2
sestets P2.4
set D3.2 D3.5
setting N6.2 N6.6
sexually indeterminate narrator N3.1.3
Shaffer D2.1 D2.2 D2.3 D6.4.3 F1.2
Shakespeare D1.5.2 D2.1 D2.2 D2.3 D3.4 D4 D6.4.1 D7.5 D7.10 P1.3 P1.8 P1.11 P1.13 P1.16 P2.1 P2.7 P3.11 P4.1 P4.4
Shakespeare editions D4.5.3
Shakespeare's sources D4.5.1
Shapiro P3.12
Shaw D3.5 D7.9 D8.4 D8.5 P4.4
Shelley D1.3 P1.12 P4.5
Shepherd D3.1
Shewring D4.2
shifting focus F4.3.4
Shipley P4
Short N8.5 N8.6 N8.7 N8.12
short couplet P2.4
short stories N1.1 N2.1.4
short story N5.2.2
shot F2.1
showing N5.3.1
sickbed scene D4.3
Sidney D4.5.1 P4.5
signified N2.1.3
signifier N2.1.3
silent movies F3.1
Sillitoe N3.3.4 N4.1 N4.7 N5.3.2 N9
simile P3.11 P4.4
simple past N1.28
simultaneous narration N3.3.11 N5.1.4
Sinclair N8.8
singulative N4.1
singulative telling N5.2.4
sitcoms D7.9
skaz N3.3.4
slant N3.1.2 N3.1.4
slant rhyme P2.1
slice of life N3.3.10 N9.6
slice-of-life N3.3.9
slow motion N5.1.3
slow-down N5.2.3
slugline F1.5
Smith P1.15
social realism N1.15
sociolect D8.7 N3.1.8 N7.5
sociology of drama D1.5.2
soliloquy D1.5.4 D3.4 D8.4 N8.10
song P3.1
sonnet P2.7 P3.1 P3.9 P6
Sound F3
sound director F4.1.3
source P3.10
Souvage N7.4
spatial form N6.1
speaker P3.3 P3.4 P3.8 P5.2
speaker's sex P3.4
Spear D4.2
speech D3.4 F3.2
speech act D2.1
speech heading D3.5
speech prefix D3.3 D3.5 F1.5
speech-act theory D2.1
speed N5.2.3
speed-up N5.2.3 N5.3.1
Spence N2.4.7
Spenser D4.5.1 P1.3 P1.11 P3.9 P4.2
split scenes D7.4
spondee P1.8
sprung rhythm P1.19
Srull D8.6 N7.4
stage areas D3.6
stage direction D3.2 D3.3 D3.4 D3.5 D3.6 D3.7 D4.5.5 D5.4 D8.3 D8.5 F1.5
stage direction, actorly D3.6
stage direction, readerly D3.6
stage doors D4.3 D4.4
stage histories D1.5.2
stage left D3.6
stage manager D1.4 D6.4.6
stage semiotics D1.5.2
stair turrets D4.3
standees D4.3
stanza P2.6
Stanzel N1 N1.13 N1.18 N1.31 N2.1.5 N3 N3.1.6 N3.2.4 N3.3.6 N3.3.7 N3.3.10 N3.3.11 N5.1.2 N5.1.3 N6.1 N7.6 N8.11 Q3.10
state of deficiency N4.4
static character N7.7
Stationer's Register D4.5.3
stative verbs N5.3.2
stealing the show D5.4
Steinberg N8.8 N8.9
stereotyped character D7.9
Sternberg D7.5 F1.5 F4.3.1 N2.1.5 N2.2.3 N4.1 N8.2 N8.5 N8.7
Sterne N3.3.14
Stoppard D3.5 D6.2 D7.9
story D1.5.4 D7.2 N2.1.2 N2.1.3 N4.6
story analysis N4.7
story line N4.1
story narratology N2.1.3
story of initiation F5.2.1 N3.3.4
story of personal experience N1.6 N1.12
story space N6.3
story time D7.3 N3.3.10 N4.7 N5.1.1 N5.2.2 N5.2.3 N6.3
story-HERE F4.2.3 N6.3
story-NOW F4.2.3 N5.1.1 N5.1.3 N5.1.4 N5.2.1 N6.3
story-time N9.6
storyboard F1.2 F1.4
storyboards F6
straight cut F2.4
straight-on angle F2.5
stream of consciousness N3.3.9 N8.8 N8.9
Styan D1.5.2
subjectifying filmic devices F4.3.9
subjective anachronies N5.2.1
subjective expressions N1.4
subjective flashforward N5.2.1
subjective time N5.2.3
substitute feet P1.13
subtitle D3.3
Suchy D3.7
sufficient condition P1.1
Sühnel P3.1
summary N5.2.3 N5.3.1
summary report D3.5 N8.7
superimposition F2.4
supplied sound F3.2
Swift N5.2.1
swish pan F2.4
synecdoche P4.4
synesthesia P4.4
synopses D7.3
synoptic present N5.1.3
syntactical figures P4.3
system intertextuality P2.9
tag N8.3
tagged direct discourse N8.5
Tagged direct thought N8.5
Tagged free indirect speech N8.6
tagged/untagged free indirect discourse N8.6
take F2.1
tales within tales N2.4.1
target P3.10
tautotes P4.2
Taylor D1.5.2
teacher's narratives N2.2.3
telephoto F2.2 F2.6
tellability D1.5.4 N3.1.1 N4.3 N4.5
telling N5.3.1
telling names D8.3
tempo N5.2.3
Tennyson P1.17 P4.1 P4.3
tenor P3.10
tense N5.1.2
tense shift N5.1.2
tense switch N5.1.2
Tense-categorized narratives N5.1.4
tercet P2.4
tertium comparationis P3.10
tetrameter P1.10
text P3.5
textual apparatus D4.5.4
textual criticism D4.5.4
textual notes D3.3
textual voice N3.1.7
theater in the mind D1.5.1
theater manager D1.4
theater of illusion D6.1
Theater Studies D1.5.2 D1.5.3
theatre-centred criticism D1.5.2
theatrum mundi D6.2
themes P3.6
third-degree narrative N2.4.2
third-person narrator P3.2
Thomas D7.9
thou D4.6 D4.7
time analysis$õ N5.2
time line N4.7
time spaces N6.1
time-line model D7.3 D7.5 N4.7
timeline N9.2
tiring house D4.2 D4.3 D4.4
title D3.3
Todorov N2.1.1 Q3.1
Tolkien N7.8 P1.18
Toolan N1.23 N2.1.5 N3.2.3 N5.2 N5.2.1 N5.2.3 N5.2.4 N8.6 N8.7 N8.8
Torgovnick N4.8
totum pro parte P4.4
tracking shot F2.3
tragedies D4.5.2
tragedy D4.5.2 D7.5 D7.8
tragic irony D8.10
tragic relief D7.11
transgression N3.3.15
transitional cut F2.4
transvocalization N1.30
trimeter P1.10
triplet P2.4
trochee P1.8
turn of the action N4.4
Turner N2.2.3 P3.10 P3.11 Q3.12
turning point D7.5
turns D3.4
Twain N3.3.4
twopenny rooms D4.3
types of narratives N2.2.2
Ubersfeld D1.5.3
uncertain anticipation N5.2.1
uninitialized hyponarrative N2.4.1
unreliable narration F5.1.4 N2.3.2
unreliable narrator N7.6
untagged direct discourse N8.5
Untagged direct thought N8.5
Updike N3.3.11
upstage D3.6 D5.4
upstage left (USL D5.4
Uspensky N7.9
variable N9.5
variable focalization N3.2.4
vehicle P3.10
verba cogitandi N8.3
verba dicendi N8.3
verba sentiendi N8.3
verbal action D2.1
verbal behavior D8.7
verbal decor D3.4 D4.4 D5.1 D6.4.1
verisimilitude F5.3
verse P1.1 P6
verse epic P3.2
verse essays P3.2
verse, theory of P6
verse-final pause P1.12
verse-sequence patterns P2.4
Vervaeck N2.1.5
Virgil P4.3
virtual discourse Q3.15
virtual performance D1.5.3
vision du dehors N3.3.11
visual versification P1.19
Vitoux N3.2.3
voice N3.1.1 N3.1.7 P3.3
voice markers N1.4 N3.1.4
voice over F3.2
voice projectors N1.4
voice-over narrator F3.2 F4.2.1
voices N3
volta P2.7
Wagner D1.3
Wales N5.1.3 N8.6
Wallis D3.1
Warhol N2.1.5
Watson D7.9
we P3.3
we narrative N3.2.4
we-narrative N3.3.11
Weldon N3.3.7 N3.3.14 N4.8 N5.2.3 N7.4 N7.8 N8.5 N8.12
Wells N4.8 P1.13
Werlich P3.5
Wertheimer P1.2
White N3.2.4 N7.9 N8.8
Whitman P3.11 P4.4
Who sees N3.2.1
Who sees? N1.18
Who speaks N1.18 N3.1.1
Who speaks? N1.3
wide-angle F2.2 F2.6
Wilder D6.4.6
Williams D6.4.5 D8.5
willing suspension of disbelief D5.5 D6.3
Winterson N3.1.3
wipe F2.4
Woolf N1.18 N3.2.4 N3.3.9 N3.3.10 N8.7 N8.8 P1.1 Q3.14
word scenery D4.4
Wordsworth P1.15 P3.2 P3.8 P4.3 P4.4 P4.5
world as theater D6.2
wraparound meter P1.12
writer P3.3
wrylies F6
wryly F1.5
Wyatt P1.3
Wyer D8.6 N7.4
XCU F2.2
XLS F2.2
Yacobi N7.6
Yard D4.3
Yeats P3.13 P4.3
you-narrative N3.3.11
Zapf D7.9
zero focalization Q3.16
zero stress P1.4 P1.5 P1.6 P1.15
zeugma P4.3
zoom F2.3
zooming in F2.3
zooming out F2.3